![]() Take for example the tentacles of this cute octopus. This gives the illusion of shadow and helps give objects more volume. I have the light source located in the upper left of the scene, so I make sure to make the outline thicker on that the areas that wouldn’t get hit with light as much. One thing you want to keep in mind, in order to keep your characters and work more believable, is to remember your light source direction. Not too thick though, as we still want to keep her in the background. So, I will make her outline just a bit thicker than the other people and objects around her. But! You can also make exceptions… for example, in this illustration I want to bring attention to the young woman in the background shouting. Thinner lines the further people and objects are. When you’re done with the middle ground, you can start inking the background, and the same rule applies. The reader will be able to distinguish that the closest character is in a different plane than the group of guys behind him. It also separates the foreground and middle ground. This gives the illusion of depth and atmospheric perspective. What we have to keep in mind now, is to make the lines of the middle ground thinner than the foregrounds. Once you’re done inking the foreground, you can start inking the middle ground. The outline of the character is sometimes called holding lines, because they literally hold the characters and objects details together, giving it more solidity and making it easier to read. Try and keep the lines inside the outline thinner as well. ![]() Since the foreground is the closest to the reader, we want the outlines to be bolder and thicker! Subconsciously, the reader will think the thicker outlines are closer, and the thinner lines to be further away. I am also working on a canvas at 600 dpi.ĭetermine your point of focus and the different layers of your composition, like your foreground, middle ground and background, as each of these aspects will differ in line thickness.īegin inking your foreground characters and objects. You can use other brushes, but if possible, use one where you can vary the size with pressure sensitivity. In this tutorial, I will be using the G-pen brush that comes stock with Clip Studio Paint. ![]() So, if we can improve clarity with just line quality, why not! Let me show you how you can improve your lines to help tell an engaging story. Whoever is reading your manga, they should be able to grasp what’s going on instantly, especially since the majority of the readers will look at the panel for just a few seconds. It can mean having someone continue reading or quickly walking away. Making your manga read clearly is crucial. Line quality is one of the most important aspects of manga and comic storytelling, but often forgotten about.
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